Perfect your performance or teaching in music and be part of the graduated community of students of the Puerto Rico Conservatory of Music.

Admission Requirements for Masters in Music

Our Master of Music programs are aimed at exceptional students seeking to hone their craft in the performance of their instrument, in specialized academic research, and in the application of teaching methodologies.

Masters in Music in Performance

General Admission Requirements

  1. Bachelor's Degree in Music Performance or Musical Education. The Bachelor of Arts with a major in Music will be considered an equivalent degree, however, applicants must demonstrate the same standards of knowledge in the areas of performance, history and theory of music similar to those candidates with a Bachelor of Music. These skills will be evaluated through listening to diagnostic tests in music history and theory.
  2. Application for admission – Complete and submit the application for admission to the graduate program and pay the fee of $100.00 (non-refundable) on the date stipulated in the Academic Calendar.
  3. An official credit transcript from the accredited university institution where you studied. The transcript is required to demonstrate that the student completed the Baccalaureate degree with a General Academic Index of 3.00 or higher on a 4.00 point scale.
  4. Three letters of recommendation from teachers or people who are familiar with the musical work done by the student. The recommendation must be delivered in a closed and sealed envelope, with the signature of the person recommending on the back of the envelope.
  5. Annotated list of the repertoire studied throughout your undergraduate studies, as well as your graduate studies before applying to the program.
  6. Audition – Applicants must submit a live audition. For the audition, applicants must prepare a recital program of no less than 50 minutes of music in a variety of styles. Each department reserves the right to request additional requirements such as memorization, sight reading, composers or specific pieces to be included in the required repertoire. These requirements may be updated annually. The orchestral instruments department may require the preparation of specific excerpts. This information is available in the Admissions Office and this page. The audition panel will consist of faculty from the department in the student's area of specialty. The Academic Deans reserve the right to attend and participate in any graded audition jury.

Video audition

Applicants from outside Puerto Rico have the option of submitting an unedited recording with the material required for the audition on DVD region code 1 (DVI, Quicktime, MP4, AVI). Edited videos will not be accepted.

Academic requirements

  1. Musical history and literature and music theory: All students in graduate programs, including those from CMPR, will be required to take two exams that will serve as diagnostic tests or prerequisites for certain graduate-level courses. These exams include topics in music history and literature and music theory. The student will meet this requirement by passing diagnostic exams or by enrolling and passing remedial courses (one each semester). The courses are:  Music History Review for Graduate Students and Music Theory Review for Graduate Students. A grade of no less than C is required to pass both courses. These courses do not count as part of the curriculum required to complete the Master of Music in Performance degree.
  2. Italian, German and French language skills (only for Singing): All students at the graduate level must have approved at least one year of study (six credits minimum) in each of the following languages: French, Italian, German or evidence of equivalent studies in each Students who have not completed these courses and who who have been accepted to the program may be admitted on the condition that they complete the courses required as a prerequisite for graduation. Any language course completed as a graduation prerequisite does not count as a curricular requirement for the Master of Music in Performance.
  3. Vocal Diction and the International Phonetic Alphabet (IPA, only for Canto): All candidates for the singing specialty will take a diagnostic exam in Diction and the International Phonetic Alphabet (IPA). If the student does not pass this exam, he or she must complete a sequential course in diction at the undergraduate level as a prerequisite for graduation. This course does not count as part of the curriculum required to complete the degree in Master of Music in Performance.

Suggested audition repertoire

In addition to the general admission requirements, the master's degree candidate must prepare to audition their instrument. Below is the suggested repertoire by instrument.

Singing Specialty

50-minute program of contrasting repertoire including arias and art songs.

Piano Specialty

A work of advanced difficulty from the baroque or classical period. The rest of the audition will be free selection with works from different representative periods. The entire program will be played from memory.

Guitar Specialty

Program of 50 to 60 minutes of music, including at least three contrasting styles. You may submit works from the suggested repertoire below or equivalent:

1. Baroque: A Suite by Bach or SL Weiss
2. Classical or Romantic: Great Solo, Sonatas or Variations by Sor or Guiliani
3. 20th century:
Ponce – Variations or Suite
Berkley – Theme and Variations or Sonata
Brouwer – The Decameron engro, variations on a theme by Django Reindhart
M. Torroba – Sonatina, Characteristic Pieces
F. Martín – 4 short pieces Lauro – Barrios Venezuelan Suite – Brindle Cathedral – Henze Gold Polyphemus – Three tientos

Specialization in Violin, Viola, Cello, Double Bass (Orchestral Instruments)

Violin
1. Two (2) movements from one of the Sonatas and Partitas for solo violin by JS Bach
2. One (1) Paganini whim
3. The first movement with cadenza of a concerto for violin and orchestra to choose from one of the following:
Mozart no. 5, Mendelssohn E minor, Saint-Saens no. 3, Wieniawski no. 2, Tchaikovsky, Brahms, Sibelius, Beethoven D major.

Viola
1. A complete concert of the standard repertoire (examples: Stamitz, Hoffmeister, Walton, Bartok)
2. Three contrasting movements from a Bach suite, sonata or partita for solo viola.
3. One additional piece selected by the candidate (examples: Romanza by Bruch, Sonatas by Brahms, Hindemith)
The entire repertoire must be played from memory.

Cello
1. First movement to choose from one of the following Concertos or equivalent:
Dvorak B minor Op. 104
Haydn D Major Hob.VIIb:2 Op.101
Schumann A minor Op.129
Shostakovich No. 1 E-Flat Major Op.107
2. A Prelude and another movement to choose from the 6 Suites of JS Bach
3. A study by Popper (40 High School Studies Op.73) to choose from the following: No. 9, 12, 26, 27, 29

Double bass
1. Major and minor scales of 3 octaves.
2. Any of the following concerts: Dragonetti, Vanhal, Dittersdorf, Koussevitzky.

Harp
Recital program including works from the suggested repertoire below or equivalent:
Selection from a sonata by Domenico Scarlatti
Debussy, C. - Danses, Sacreeet Profane
Mauldin, M. - Birds in Winter, Six Preludes for Harp

Specialization in Flute, Oboe, Clarinet, Bassoon, Saxophone, Trumpet, Trombone, French Horn, Tuba, Percussion (Orchestral Instruments)

Flute
Recital program of no less than 50 minutes of music in a variety of styles. Each piece in said recital must be representative of the baroque, classical or French/modern style. The program may include:

1. Sonata by JS Bach, BWV 1035 in E Major, or BWV 1034 in E Minor.
2. Mozart Concerto in D Major K. 314 or in G Major K. 313
3. A piece from the Collection: FluteMusicBy French Composers (forFlute& Piano). Edited by Louis Moyse. (G. Schirmer #ED2699) Published by G. Schirmer (HL.50331090).

A recital piece must be memorized. The recital must be accompanied on the piano.

Oboe
Two complete works from the oboe repertoire (baroque, classical or 20th century period). Four orchestral excerpts from his selection.

Clarinet
1. Concerto for Clarinet and Orchestra Mozart K. 622, first movement
2. One movement from a piano work, to be chosen from the following list or equivalent: Sonata, Poulenc
Rhapsody, Debussy Sonata #1 or #2, Brahms Sonata in A minor, Delano Sonata, Horowitz
3. A work for solo clarinet, to choose from the following or equivalent: Cinco Bocetos, Roberto Sierra ThreePieces, Stravinsky Capriccio, Sutermeister
4. Orchestral passages (available in the Admissions Office):

Brahms, Sinf. #3; Schubert, Sinf. Unfinished; Rimsky-Korsakov, Capriccio Español; Beethoven, Sinf. #4, 6, 8; Rossini, Semiramide Overture; Shostakovich, Symphony #1; Mendelssohn, Scherzo; Rimsky-Korsakov, Scheherezade; Ravel, Daphnis & Chloe Suite #2.

Bassoon
1. Bassoon Concerto by WA Mozart, movements I & II
2. Orchestral Fragments:
The Marriage of Figaro, introduction and recapitulation, WA Mozart Symphony No. 4, Second Movement solo, P. Tchaikovsky Scheherezade, Second Movement solo and cadenzas, Rimsky-‐Korsakov Bolero, M. Ravel
3. Scales - All major and minor

Saxophone
50-minute program including works from the suggested repertoire below or equivalent: Partita in A minor, JS Bach
Concertino (w/AeolianSong), W. Benson Concertino da Camera, J. Ibert Scaramouche, D. Milhaud Sonata, R. Muczynski Improvisation I, R. Noda Elegieet Rondeau, K. Husa Mai, R. Noda

Orchestral excerpts
Pictures at an exhibition – M.Mussorsky
An American in Paris – G. Gershwin

Trumpet
alone
Choose one of the following:
FJ Haydn – I and II mov. Honneger – Intrada Jolivet – Concertino Tomasi – Concerto, I mov.

Studies
Choose one of the following:
Bitsch – no. 1, 3, or 5

Orchestra Passages
Choose 4 passages from among the following:
Stravinsky – Petrouchka“ Ballerina's Dance “ Ravel – G Major Piano Concerto, 1 mov.
Mahler – Symphony no. 5, opening Stravinsky – Firebird, Infernal Dance Copland – Outdoor Overture Wagner – Parsifal Prelude
Bach – B minor Mass, Credo
Bach – Christmas Oratorio no. 64 (mm 1-‐12)

Trombone
1. A standard concert that reflects musical depth and technical mastery on the instrument. Examples: Grondahl, Gordon Jacob, Nino Rota, Henri Tomasi, Paul Creston, Ferdinand David; or musically comparable piece.

2. A sonata or standard work from the piano trombone repertoire. Examples: Hindemith, Casterede, Sulek, Ewazen, Gaubert, Saint-Saens, Salzedo, Ropartz, or a musically comparable piece.

3. A Latin American or Puerto Rican work written after 1960. This piece must be of a musical depth consistent with a graduate level audition. Examples:
Puerto Rico: Alfonso Fuentes, Mariano Morales, Alberto Rodríguez.
Latin Americans: Carlos Chávez, Alfredo del Mónaco.

Bass Trombone Candidates, consult Doug Yeo's list of possible works to present.
yeodoug.com/resources/text/repert.html

French Horn
The program must contain 3 contrasting works, chosen from this list, or of equivalent difficulty:

Arnold, Malcolm: Fantasy for Horn and Piano (Op. 88)
Beethoven, Ludwig van: Sonata in F M for Horn and Piano (Op. 17) Bissill, Richard: “Lone Call & Charge” for Horn Solo (1994)
Brahms, Johannes: Trio in Eb for Violin, Horn and Piano (Op. 40) Bozza, Eugène: “En Forêt” for Horn and Piano (Op. 40)
Buyanovski, Vitali: “Spain” (2007) from “Pieces for Horn Solo: Four Improvisations (from traveling impressions)”.
Cherubini, Luigi: Sonatas (Concert Studies) No. 1 and No. 2 in F M for Horn and Piano (1804) Dukas, Paul: “Villanelle” (1905)
Ewazen, Erik: Sonata for Horn and Piano (1997)
Gliére, Reinhold: Concerto in Bb for Horn and Orchestra (Op. 91)
Haydn, Franz Joseph: Concerto No. 1 in D M for Horn and Orchestra [Hob.VIId:3] Haydn, Franz Joseph: Concerto No. 2 in D M for Horn and Orchestra [Hob.VIId:4] Heiden, Bernard: Sonata for Horn and Piano (1939)
Hindemith, Paul: Sonata in F for Horn and Piano (1939)
Hindemith, Paul: Sonata in Eb for Onóbeno (Alto Horn) and Piano (1943) Larsson, Lars Erik: Concertino for Horn and String Orchestra [Op. 45, No. 5-‐1953] Mozart, Wolfgang Amadeus: Quintet in Eb for Horn and Strings (K. 407)
Mozart, Wolfgang Amadeus: Concerto No. 4 in Eb for Horn and Orchestra (K. 495) Nielsen, Carl: “Serious Song” for Horn and Piano [FS 132 -‐ 1913]
Poulenc, Francis: “Elegie” for Horn and Piano [FP 168 -‐1957] Reynolds, Verme: 48 Etudes for French Horn (1961)
Choose one among studies No. 3, 6, 8, 10, 12, 16, 18, 22, 25, 30 38, 39, 44.
Saint‐Saëns, Camille: Romanze in E M for Horn and Piano (Op. 67)
Saint-Saëns, Camille: “Morceau de Concert” for Horn and Orchestra (Op. 94) Schubert, Franz: “AufdemStrom” for Soprano, Horn and Piano [D. 943 -‐1828] Schumann, Robert: Adagio & Allegro [Op. 70 -1849]
Sierra, Roberto: “Evocative Concerto” for Horn and Orchestra (1990) Strauss, Franz: Fantasia for Horn and Orchestra (Op. 2)
Strauss, Franz: Fantasy for Horn and Orchestra (Op. 6)
Strauss, Franz: Nocturne in D Major for Horn and Piano (Op. 7) Strauss, Franz: Concerto in C for Horn and Orchestra (Op. 8)
Strauss, Franz: Introduction, Theme and Variations for Horn and Piano (Op. 13)
Strauss, Richard: Concerto No. 1 in Eb for Horn and Orchestra [Op. 11 – TrV117 – 1883] Strauss, Richard: Concerto No. 2 in Eb for Horn and Orchestra [Op. Posthumous – TrV 283 – 1942] Strauss, Richard: Andante in C M for Horn and Piano [Op. Posthumous –TrV 155–1888] Telemann, Georg Philip: Concerto in D for Horn and Orchestra [TWV 51: D8]
Turner, Kerry: Sonata for Horn and Piano (1995)
Vinter, Gilbert: “Hunter'sMoon” for Horn and Piano (1942)
Weber, Carl Maria von: Concertino in E m for Horn and Orchestra [J. 188/Op. 45 – 1815] Wilder, Alec: Sonata for Horn and Piano No. 1 (1954)
Wilder, Alec: Sonata for Horn and Piano No. 2 (1957) Wilder, Alec: Sonata for Horn and Piano No. 3 (1970) Wilder, Alec: Suite for Horn and Piano (1956)
Williams, John: Concerto for Horn and Orchestra [2003]

Tuba
1. Tuba Concerto, R. Vaughn-Williams
2. Concertino for Tuba, Gregson
3. Concerto in One Movement, A. Lebedev
4. Technical exercises: a) Theo Charlier: No. 2 of the 32 Improvement Studies
5. Excerpts: a) Mastersingers, R. Wagner b) Symphony no. 5, Prokofiev c) Symphony no. 1 (3rd movement), G. Mahler d) Valkyries, R. Wagner

Mallet-Keyboard Instruments
1. Variations on Japanese Children's Song, Keiko Abe
2. Blues for Gilbert, Mark Glenthworth
3. Small Piece for Marimba, José Rodríguez Alvira
4. Vibraphone and Marimba Concerts, NeyRosauro
5. Preludes, NeyRosauro
6. Concertino for Marimba, Paul Creston
7. Orchestral Repertoire

Snare Drum and/or Drums
1. 12 Studies, Kreisleiriana, Etude Method 20 to 25, Jacques Delecluse
2. NYSD, Anthony Cirone
3. Recital Piece for Snare Drum, Guy G. Gauthreaux
4. Excerpt Etude for Snare Drum, Mathew Beck
5. Concerto for Snare Drum and Orchestra, Masson
6. Orchestral Repertoire

Timpani
1. 8 Pieces for Timpani, Elliot Carter
2. Sonata for Timpani -John Beck
3. Classic African-Joseph Aiello
4. Three Movements for 5 Timpanis-‐John Beck
5. Concerto for Timpani, Tharichen-‐Werner
6. Orchestral Repertoire

Percussion or multiple drums
Solo at the Level and/or Equivalent of Solos by composers such as: Cangelosi Hollinden, Kraft, W. Ortiz, Veray, Stravinsky.

Resumes in PDF format

Master of Music in Music Education

General Admission Requirements

  1. Have completed a Bachelor of Music degree in Music Education or an equivalent university degree in Music. Students with any other Bachelor of Music degree will be required to have passed 15 additional credits in Music Education courses in the following subjects:
      • Psychology of Learning (3 crs.) 
      • Philosophical and Social Foundations of Education (3 credits)
      • General teaching methods (3 crs.)
      • Nature and Needs of the Exceptional Child (3 crs.)
      • Education of the Exceptional Student in the Regular Classroom (3 crs.)

*Candidates who have not completed these courses may apply for admission to the Teacher Certification Program simultaneously to fulfill this requirement.

2. Admission Application – Complete and submit the admission application with payment of the $100.00 fee (non-refundable) on or before the date indicated in the academic calendar.

3. Essay, of no less than 500 words, in which the applicant will explain their reasons for entering the program, their goals, professional objectives, and the qualities they possess to achieve them.

4. An official transcript from the accredited college where the student completed his or her bachelor's degree with a grade point average (GPA) of 3.00 or higher on a 4.00-point scale.

5. Three letters of recommendation from professors or administrators who can assess the applicant's potential for continuing graduate studies and their teaching experience. The recommendation must be submitted in a sealed envelope, with the recommender's signature on the back.

6. Video – Present a 5-minute demonstration class of the applicant's area of teaching experience during the interview or submit a 15-minute video of the applicant's teaching experience (classroom or instrumental or vocal group rehearsal) with the application for admission.

7. Interview with the Dean of Academic Affairs and/or the Director of the Graduate Program.

The applicant must have the necessary understanding and communication skills of the Spanish and English languages to successfully complete the Master of Music degree in Music Education.

Admission requirements are subject to change and periodic review. Any amendment or change to them will be published as an appendix to this document.

Online program

Master of Music in Conducting

Orchestral Program Requirements

  1. Bachelor's Degree in Music Performance or Musical Education. The Bachelor of Arts with a specialty in Music will be considered an equivalent degree. However, applicants must demonstrate the same standards of knowledge similar to those candidates with a Bachelor of Music.
  2. Admission Application – Your application must be submitted before the deadline with the corresponding non-refundable payment.
  3. An official credit transcript from an accredited university institution where you studied. The transcript is required to demonstrate that the student completed the baccalaureate degree with a GPA of 3.00 or higher on a 4.00 scale.
  4. Résumé – Summary of your background and achievements.
  5. Annotated list of repertoire presented in concerts.
  6. Three letters of recommendation from teachers or professionals in the music field who are familiar with your work.
  7. Shortlisting Video – The candidate will submit a high-quality, unedited video recording that includes three to four excerpts from orchestral works of various styles. Excerpts can come from concerts or rehearsals. Recommended formats for your video are: YouTube, Dropbox or Google Drive sent to email admisiones@cmpr.edu.

The video duration should be a maximum of 25 minutes, to be distributed as follows:

  • The candidate will briefly talk about his or her musical preparation, goals, and interest in studying conducting at a master's level (duration two minutes).
  • The videos of the works must not be more than three years old.
  • Videos should not have reverb effects.
  • The camera should focus on the candidate where his or her gestures and posture can be appreciated, in addition to the orchestra or chamber ensemble.
  • Direction of a rehearsal or concert. The repertoire must consist of three works from contrasting periods to choose from the Classical, Romantic and 20th Century periods.
  • The skills you must show are: understanding of musical styles, artistic challenges, expressiveness, conducting technique and gestural skills. Only works from the standard orchestral repertoire, operatic works or contemporary works will be accepted. Do not include pop, jazz or Broadway repertoire. Small sets of any size are accepted.
  • It is a requirement to submit in writing the repertoire presented in the recording, date and place of rehearsal or concert and copy of the concert programs (if applicable).
  • The candidate must present a video of no more than three minutes playing a work on their main instrument or, if their instrument is the voice, singing a work from the Italian anthology.

If the preselection evaluation is favorable, the candidate will be invited to an in-person audition.

Audition Requirements

In-person audition

Selected candidates must attend an in-person audition to conduct the Puerto Rico Conservatory of Music Orchestra. The list of repertoire that must be prepared and presented for the audition is included, which will last between 20 to 25 minutes. It may be required to direct the entire work or some segment of the work. The candidate's ability to identify errors in areas such as rhythm, notes, tuning, balances, etc. will be evaluated.

Evaluation of musical skills: All candidates who participate in in-person auditions must also pass the following requirements:

  1. Written essay – The candidate must write an essay which must be 1 to 2 pages, double spaced, with a font size of 12 points (times new roman or arial), written in Spanish. It must be an original work. The candidate will choose one of the topics that will be provided.
  2. An interview with the faculty of the graduate management program and the dean of Academic Affairs where the candidate will be evaluated regarding their experience and professional goals. The candidate is expected to be able to discuss matters of analysis related to the material studied for the audition or other works presented in the interview. An assessment of sight-reading on the piano of selections from orchestral literature will also be included.
  3. A written exam that will consist of questions related to, but not limited to, transportation, harmony, style, composers and repertoire.

Audition Repertoire

Language

All classes in the Master of Music Program in Orchestral Conducting will be offered in Spanish. Applicants from non-Spanish-speaking countries must be able to speak, read and write fluently in Spanish.

Tuition and Fees

Choral Program Requirements

  1. Bachelor's Degree in Music Performance or Musical Education. The Bachelor of Arts with a major in Music will be considered an equivalent degree, however, applicants must demonstrate the same standards of similar knowledge as those candidates with a Bachelor of Music.

    Candidates must demonstrate musical leadership based on experience directing a choral ensemble, preferably with experience directing church, school, private or community choirs.

  2. Admission Application – Your application must be submitted before the deadline with the corresponding non-refundable payment.
  3. An official credit transcript from an accredited university institution where you studied. The transcript is required to demonstrate that the student completed the baccalaureate degree with a GPA of 3.00 or higher on a 4.00 scale.
  4. Résumé – Summary of your background and achievements.
  5. Annotated list of repertoire presented in concerts.
  6. Three letters of recommendation from teachers or professionals in the music field who are familiar with your work.
  7. Shortlisting Video – The candidate will submit a high-quality, unedited video recording that includes three to four excerpts from choral works of various styles. Excerpts can come from concerts or rehearsals. Recommended formats for your video are: YouTube, Dropbox or Google Drive sent to email admisiones@cmpr.edu.

The duration of the video must be a maximum of 25 minutes, to be distributed as follows:

  • The candidate will briefly talk about his or her musical preparation, goals, and interest in studying conducting at a master's level (duration two minutes).
  • The videos of the works must not be more than three years old.
  • Videos should not have reverb effects.
  • The camera should focus on the candidate where their gestures and posture can be seen, as well as the chorus.
  • Direction of a rehearsal or concert. The repertoire must consist of three works from contrasting periods to choose from the Renaissance, Classical, Romantic and 20th Century periods.
  • The skills you must show are: understanding of musical styles, artistic challenges, expressiveness, conducting technique and gestural skills. Do not include pop, jazz or Broadway repertoire. Small sets of any size are accepted.
  • It is a requirement to submit in writing the repertoire presented in the recording, date and place of rehearsal or concert and copy of the concert programs (if applicable).
  • The candidate must present a video of no more than three minutes playing a work on their main instrument or, if their instrument is the voice, singing a work from the Italian anthology.

If the preselection evaluation is favorable, the candidate will be invited to an in-person audition.

Audition Requirements

In-person audition

Selected candidates must attend an in-person audition to direct the Puerto Rico Conservatory of Music Choir. The list of repertoire that must be prepared and presented for the audition is included, which will last between 20 to 25 minutes. It may be required to direct the entire work or some segment of the work. The candidate's ability to identify errors in areas such as rhythm, notes, tuning, balances, etc. will be evaluated.

Evaluation of musical skills: All candidates who participate in in-person auditions must also pass the following requirements:

  1. Written essay – The candidate must write an essay which must be 1 to 2 pages, double spaced, with a font size of 12 points (times new roman or arial), written in Spanish. It must be an original work. The candidate will choose one of the topics that will be provided.
  2. An interview with the faculty of the graduate management program and the dean of Academic Affairs where the candidate will be evaluated regarding their experience and professional goals. The candidate is expected to be able to discuss matters of analysis related to the material studied for the audition or other works presented in the interview. An evaluation of sight reading at the piano of a chorale by Johann Sebastian Bach will also be included.
  3. A written exam that will consist of questions related to, but not limited to, transposition, harmony, style, performance practices, diction, vocal pedagogy, languages, composers and repertoire.

Audition Repertoire

Language

All classes in the Master of Music Program in Choral Conducting will be offered in Spanish. Applicants from non-Spanish-speaking countries must be able to speak, read and write fluently in Spanish.

Study costs

Master of Music with a concentration in Collaborative Piano

General Admission Requirements

  1. Bachelor's Degree in Music with a specialization in Piano Performance and an advanced level of performance
    piano.
  2. The Bachelor of Arts in Music may be considered an equivalent degree, without
    However, applicants must demonstrate a high level of pianistic performance similar to
    of those candidates with a Bachelor's degree in Performance Music. These skills will be
    evaluated through hearing.
  3. An official transcript of credits from the accredited university institution where you studied
    Studies. A transcript is required to demonstrate that the student completed the degree.
    Bachelor's degree in Piano Performance with a General Academic Index of 3.00 or higher in
    a scale of 4.00 points.
  4. Three letters of recommendation from professors or people who are familiar with the
    Musical work performed by the student. The recommendation must be submitted in an envelope.
    closed and sealed, with the signature of the recommending person on the back of the envelope.
  5. Annotated list of the repertoire studied throughout his undergraduate studies, as well as the
    postgraduate studies before applying to the program. The repertoire list must include works from
    solo piano and collaborative piano works and chamber music.

Admission requirements are subject to change and periodic review. Any amendment or change to them will be published as an appendix to this document.

Academic requirements

  1. Musical history and literature and music theoryTo all students in programs
    Graduates, including those from CMPR, will be required to take two exams
    which will serve as diagnostic tests or prerequisites for certain courses at the level
    graduate. These exams include topics in music history and literature and music theory.
    The student will fulfill this requirement by passing the diagnostic exams or by
    Register for and pass remedial courses (one per semester). The courses are: Review
    Music history for graduate-level students and Music theory review
    For graduate-level students. A grade of no less than C is required.
    Pass both courses. These courses do not count as part of the required curriculum for
    complete the Master's degree in Performing Music.

Audition Requirements

1. Demonstrable keyboard skills such as: sight-reading, harmonization, and
simple improvisation.
2. Recommended:
     a. Minimum of 2 semesters of support at the BM level.
     b. Knowledge of a language - Italian, German or French.
3. Communication skills in Spanish and English (written and spoken)

The audition jury will be composed of the faculty of the piano department. The Deans
Academics reserve the right to attend and participate in any audition jury.
graduates.

Listening repertoire

  1. An advanced-level solo piano piece that demonstrates your technical, musical, and
    artistic as a pianist.
  2. A movement of two sonatas for instrument and piano from contrasting eras.
  3. Two extracts from instrumental concertos and their orchestral reduction for piano, in
    that both soloist and pianist are active.
  4. 4-6 art songs from the repertoire in different languages: German, French, Italian or
    English.
  5. Three opera arias: one by Mozart and the others from different styles and eras.
  6. Sight-reading.
  7. The candidate will be assigned a (short and simple) piece one week before their audition.
    so that she can bring it assembled to the audition. The piece can be a slow movement of a
    sonata, a lied or simple aria by Mozart or Schubert, a portion of a concerto for
    woodwinds or brass instruments by Weber, Mozart, Haydn or Hummel, etc.

The candidate is responsible for identifying and bringing the collaborating musician with whom they will perform
the collaborative repertoire that he has prepared for the audition.

Master of Music with a concentration in Piano Performance and Pedagogy

General Admission Requirements

  1. BM degree in Piano Performance with an overall average of 3.0 points.
  2. A Bachelor of Arts in Music may be considered an equivalent degree,
    However, applicants will need to demonstrate a high level of piano performance
    similar to that of candidates with a Bachelor's degree in Music Performance. These
    Skills will be evaluated and tested in the audition.
  3. An official transcript of credits from the accredited university institution where
    completed studies. A transcript is required to demonstrate that the student completed
    Bachelor's degree in Piano Performance with a General Academic Index of
    3.00 or higher on a 4.00 point scale. It is recommended to demonstrate this in the
    Transcription of at least 1 semester of piano pedagogy at the elementary level or
    equivalent experience.
  4. Three letters of recommendation from teachers or people who are familiar with
    the musical work done by the student.
  5. Annotated list of the repertoire studied throughout his undergraduate studies, as well
    such as postgraduate students before applying to the program. The repertoire list must
    Include solo piano works, collaborative piano works, and chamber music.
  6. List of pedagogical experiences in piano teaching, detailing:
    Schools/institutions where he has taught, levels, ages and formats
    (group/individual).

Admission requirements are subject to change and periodic review. Any amendment or change to them will be published as an appendix to this document.

Academic requirements

  1. Musical history and literature and music theoryTo all students in programs
    Graduates, including those from CMPR, will be required to take two exams
    which will serve as diagnostic tests or prerequisites for certain courses at the level
    graduate. These exams include topics in history and literature and music theory. The
    The student will fulfill this requirement by passing the diagnostic exams or by enrolling.
    and pass remedial courses (one per semester). The courses are: History Review of
    Music for graduate-level students and Music theory review for students
    at the graduate level. A grade of no less than C is required to pass both courses.
    These courses do not count as part of the curriculum required to complete the degree of
    Mastery.

Audition Requirements

  1. The student will present an audition on the instrument that will include a musical program,
    Recital-style performance of advanced works in various representative styles.
    It must include a work from the Baroque or Classical period. The rest of the works will be from other periods.
    Contrasting pieces of free choice. The entire program will be played from memory.
    2. Demonstrable keyboard skills as evidenced by the audition:
         a. Sight reading.
         b. Harmonization of melodies.
         c. Simple improvisation.

Diagnostic tests

Every student who has been accepted to the Master of Music program must take a diagnostic exam to demonstrate their competitiveness, comparable to a fourth year of baccalaureate in music, in the areas of theory, harmony, form and analysis, and music history. If you do not pass these exams, you must take remedial courses (non-credit) in the areas in need. You must complete remedial courses before enrolling in the required theory, analysis, and history courses required in the Master of Music in Music Performance and Education program. The student who does not appear to take one or both diagnostic exams will be automatically placed in the corresponding remedial courses.

Vocal Diction and the International Phonetic Alphabet (IPA, only for applicants to the Choral Conducting program) – All applicants for the Master of Choral Conducting program must take a diagnostic exam in Diction and the International Phonetics Alphabet (IPA) and demonstrate their knowledge of diction in the English, German, French, Italian and Latin languages. If the student does not pass this exam, he or she must complete a sequential course in diction at the undergraduate level as a prerequisite for graduation. These courses do not count as part of the curriculum required to complete the Master of Music in Conducting degree.

 

Note: The applicant must have basic knowledge of the use of technology (computer)

Admissions Calendar

     Important Dates:

  • December 11, 2026
    • Admission application deadline. Registration deadline for the Theory and Aural Skills Placement test review session.
    • Pre-Screening Submission Deadline for the Bachelor of Music in Musical Theatre
  • January 16, 2027
    • Music Theory and Aural Skills Placement Exam Review Session.
  • January 29, 2027
    • Admissions Interviews for Bachelor of Music, Master of Music in Music Education, and Bachelor of Music in Music Therapy.
  • February 5, 2027
    • Undergraduate and Graduate Programs Auditions
  • February 6, 2027
    • Additional Day for Musical Theatre Auditions (if needed)
  • February 19, 2027
    • Music Theory and Aural Skills Placement Exam (for students who have approved the audition).
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