Code: TOPIC 5131
What experiences connect Puerto Rican dance with popular music such as Dominican merengue, salsa, and reggae? How do folklore, popular music, and classical music intersect in the creation of genres like tango and zarzuela in Latin America? This course aims to answer these and other questions by studying theories, musical practices, styles, and key figures to examine how Latin Americans have used music to confront conflict, define their identities, and create new means of expression that satisfy both their own interests and those of other countries. The seminar primarily revolves around the discussion of various contexts and themes related to the musical experience in Latin America. This approach transcends the traditional framework of studying music by country, cultural group, or genre and aims to highlight the shared historical processes and contemporary realities that shape both musical practices and their reception.